Itqaqhaijuq / Tries to Remember

Nov 11 — 12, 2021
Field:

Performance

Location:

Grand Luxe Hall, Western Front

Time:

7:00 p.m. & 9:00 p.m.

Description:

Itqaqhaijuq / Tries to Remember was a thirty-minute multimedia performance by Tiffany Ayalik, developed during her six-month residency at Western Front. Ayalik’s performance combined her live solo vocals with octophonic (8-channel) sound, incorporating archival audio recordings of songs performed by Ayalik’s Inuinnait ancestors and community. Imagery inspired by the changing seasons and the natural environment of the North by artist T. Erin Gruber was projected onto Ayalik’s set, which resembles an icy landscape. These elements combined to form an immersive environment, in which the audience was seated in a circle, facing Ayalik at the centre. Through the work, Ayalik hopes to provide a possible pathway to embolden others to reclaim and relearn languages that could soon be lost.

Curated by Aram Bajakian.

Acknowledgements:

This work could not have been created without the help of many people across borders, generations, and centuries. Quana to Alice, Agnes and Robert Ayalik, Jarrett Martineau, Inuksuk Mackay, and the Kitikmeot Heritage Society. 
–Tiffany Ayalik

The following recordings were used in creation of this project, and can be found at the Canadian Museum of History. 

Arctic - Mackenzie and Copper - Music & shamanistic utterance, Diamond Jenness, 1915-1916, Canadian Museum of History, IV-D-2T

Arctic - Mackenzie and Copper - Music, Diamond Jenness, 1915-1916, Canadian Museum of History, IV-D-3T

Arctic - Mackenzie and Copper - Music, Diamond Jenness, 1915-1916, Canadian Museum of History, IV-D-4T

Arctic - Mackenzie and Copper - Music, Diamond Jenness, 1915-1916, Canadian Museum of History, IV-D-5T

Presented with the support of the Government of Canada and SOCAN Foundation.

Tiffany Ayalik crouches beneath a patterned projection while vocalizing into a microphone. The projection casts hues of blue, purple, and pink onto her skin, outfit, and the sculpted white set on the floor. With her gaze affixed into the distance, her free hand suspended in air follows the direction of her attention.
Tiffany Ayalik bends over towards an abstract projection directed onto a white sculpted set. She holds a microphone to her mouth with one hand. She dips her free hand into the projected light, coating it with hues of blue, purple, and pink.
Tiffany Ayalik stalks behind a white sculpted set with an abstract projection direction onto its surface. She vocalizes into a microphone held while reaching her fingers into the light beams of the projection. The projections hues of blue, pink, and orange light the scene.
Tiffany Ayalik crouches beneath a cool toned projection in a large darkened room. The projection lights her white hooded outfit and the white sculpted set beneath her. She vocalizes into a microphone while reaching outwards.
Tiffany Ayalik stands beneath blue and pink light while vocalizing into a microphone. She holds her free hand in the air near her chest with fingers gently curled. Below her bare feet lies a sculpted white set tinted by the cool overhead lighting.
Tiffany Ayalik folds her torso onto her knees while resting the palms of her hands on the nape of her neck, in a gesture resembling a variation of the childs pose. Bright light shines downwards in the darkened room, illuminating her skin, her hooded outfit, and the sculpted white set beneath her.
Tiffany Ayalik kneels down beside a sculpted white set beneath a spotlight. Bringing her face near the edge of the set, her head and outstretched arms fall just underneath the light beams of the projection.
Tiffany Ayalik vocalizes into a handheld microphone with her head tilted back and eyes gently closed. Pink and blue abstract patterns light her face and fluffy white outfit from an overhead projection.

Related People

Related Events

Captions:

Back to:

Western Front is a non-profit artist-run centre in Vancouver.

We acknowledge the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and səl̓ílwətaʔɬ (Tsleil-Waututh) Nations as traditional owners of the land upon which Western Front stands.