Archives Access: Jayce Salloum

Nov 21, 2024
Field:

Screening, Talk

Location:

Grand Luxe Hall, Western Front

Time:

7:30 p.m.

Description:

Archives Access: Jayce Salloum was an evening of archival excerpts and discussion marking twenty years since Salloum’s 2004 solo exhibition and installation of video work was presented at Western Front from his ongoing untitled (1999–) project. Salloum was joined in conversation with Western Front’s content writer and editor, Trey Le, to screen excerpts of the work and discuss the approaches employed in his filmmaking and artistic practice.

The event contextualized untitled within the troubling lineage in which Salloum’s work is nested within. The first four tapes of untitled were in the group exhibition, The Lands Within Me: Expressions by Canadian Artists of Arab Origin at the Canadian Museum of Civilization (now Canadian Museum of History) in 2001, which was postponed after the events of September 11 following public pressure. Amid the anti-Arab sentiment, Salloum sparked controversy by his documentation of the conflicts in Lebanon, Palestine, and former Yugoslavia through the telling of experiences of displacement and political struggle as told by the subjects. Salloum moved past the inflammatory reactions and rhetoric of those trying to censor his work, unwavering in his commitment to represent social and political realities with a historicity that extends beyond political agendas and news cycles. 

Using these events as a vantage point to revisit two decades later, Le and Salloum reflected on the continued challenges of drawing out alternative and individual histories from monolithic narratives of dispossession, occupation, and violence. They discussed thematic threads in untitled such as the interstitial, beauty, and rejecting ethnographic conventions.

The screening included clips from part 1: everything and nothing (1999), part 2: beauty and the east (2001), and part 4: terra incognita (2005); and the entirety of part 3b: (as if) beauty never ends (2003).

The evening concluded with a question and answer session.

Curated by Trey Le.

Video documentation available upon request.
Trey Le is spotlit from behind a lectern in the Grand Luxe Hall. He stands in front of a projected image of a new media installation in a gallery space that features asymmetrical wall projections, a CRT monitor, and scattered chairs.
Jayce Salloum and Trey Le sit with microphones in hand while illuminated by spotlights in the back corner of the Grand Luxe Hall. Their bodies face a shadowed audience. Salloum wears a baseball hat shading his eyes and holds his microphone up to speak, resting his other hand open in the air.
An image is projected against a wall in a dark room, making the outlines of the audience’s heads barely visible. The image is a medium close up of a person in front of a white wall staring straight ahead. A caption underneath the person reads it is my duty to answer.
An image is projected against a wall in a dark room. The image is a medium closeup of a person standing in dry farmland on a clear day with rows of wooden posts and distant hills behind them. The warm tones of the image leak out from beyond its frame to reflect against the wooden floor beneath it.

Related People

Captions:

Western Front is a non-profit artist-run centre in Vancouver.

We acknowledge the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and səl̓ílwətaʔɬ (Tsleil-Waututh) Nations as traditional owners of the land upon which Western Front stands.