The Poem is a Temple

Sep 11 — Nov 27, 2021
Field:

Exhibition

Location:

Gallery, Western Front

Description:

The Poem is a Temple was a solo exhibition of work by Sriwhana Spong. It brought together two works: a sculpture that is part of an ongoing series of instruments based on the Balinese gamelan, and a single-channel film shot in and around the artist’s ancestral home in Bali, Indonesia.

The painter-tailor (2019) constructs a family portrait from 16mm film and HD video footage collected by the artist, her relatives, and the family dog. The hook to which the film repeatedly returns is an untitled painting by Spong’s grandfather, the Sanur artist I Gusti Made Rundu (1918–1993). This painting, the intimate surroundings of the family compound, and her father’s memories weave a net in which fragments relating to the effects of colonization, invasion, and tourism on image-making in Bali gather.

Presented alongside the film was Instrument H (Monster Chicken) (2021), a sculpture made from approximately 50 bronze casts of chicken bones and twigs collected on Spong’s daily walk between her house and studio in London during lockdown, which passes two 24-hour fried chicken shops. The work, with its bones sucked clean and discarded by humans and foxes, charts a strange  intimacy between city dwellers, while reflecting on  human-animal interactions and their ecological impact and  evoking  the ancient cultural practice of osteomancy, a form of divination performed by throwing bones. Each day at 2:30 p.m. over the duration of the exhibition, the sculpture was activated as an instrument, and moved through the space and surrounding neighbourhood before being placed in a new arrangement for possible future-telling.

The sculpture is part of an ongoing project commenced by Spong in 2015, and for which she is creating a personal ensemble inspired by the Balinese gamelan—a unique orchestra of mostly percussive instruments whose precise tuning traditionally varies between gamelan—creating what the ethnomusicologist Andrew Clay McGraw describes as a community’s “aural watermark.” Compelled by the notion of a place and its community having its own unique sound, each of her instruments is named after a friend or collaborator. 

Curated by Susan Gibb.

List of included artworks:

1. Sriwhana Spong, Instrument H (Monster Chicken) (2021). Bronze, nylon cable ties. Dimensions variable.

2. Sriwhana Spong, The painter-tailor (2019). 16mm transferred to HD, HD video, 32:10 min.

Documents:

Sriwhana Spong, The Poem is a Temple (installation view), Western Front (2021). Photograph by Dennis Ha.

Sriwhana Spong, The painter-tailor (2019). Photograph by Dennis Ha.

Sriwhana Spong, The Poem is a Temple (installation view), Western Front (2021). Photograph by Dennis Ha.

Sriwhana Spong, Instrument H (Monster Chicken) (2021) activation. Photograph by Dennis Ha.

Sriwhana Spong, Instrument H (Monster Chicken) (2021) activation. Photograph by Dennis Ha.

Sriwhana Spong, Instrument H (Monster Chicken) (2021) activation. Photograph by Dennis Ha.

Sriwhana Spong, Instrument H (Monster Chicken) (2021) activation. Photograph by Dennis Ha.

Sriwhana Spong, Instrument H (Monster Chicken) (2021) activation. Photograph by Dennis Ha.

Sriwhana Spong, Instrument H (Monster Chicken) (2021) activation. Photograph by Dennis Ha.

Sriwhana Spong, Instrument H (Monster Chicken) (2021) activation. Photograph by Dennis Ha.

Sriwhana Spong, Instrument H (Monster Chicken) (2021) activation. Photograph by Dennis Ha.

Sriwhana Spong, Instrument H (Monster Chicken) (2021) activation. Photograph by Dennis Ha.

Sriwhana Spong, The Poem is a Temple (installation view), Photograph by Dennis Ha.

Sriwhana Spong, The Poem is a Temple (installation view), Western Front (2021). Photograph by Dennis Ha.

Sriwhana Spong, Instrument H (Monster Chicken) (2021). Photograph by Dennis Ha.

Sriwhana Spong, Instrument H (Monster Chicken) (2021). Photograph by Dennis Ha.

Related People:

Captions:

Western Front is a non-profit
artist-run centre in Vancouver.

We acknowledge the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and səl̓ílwətaʔɬ (Tsleil-Waututh) Nations as traditional owners of the land upon which Western Front stands.