Thought, outside: Laiwan, Melinda Mollineaux, Craig Berggold, and Susan Stewart in conversation with Amy Kazymerchyk

Dec 1 — 31, 2020



To accompany the exhibition Thought, outside, curator Amy Kazymerchyk recorded conversations with the artists Craig Berggold, Laiwan, Melinda Mollineaux and Susan Stewart.

In the first recording, Laiwan and Melinda Mollineaux discuss the historical context and conditions within which their respective artworks African Notes Part 1 & 2 (1982) and Cadboro Bay: Index to an Incomplete History (1998) were made; and the formal and technical restoration that was required to present these works in 2020. They reflect upon how the notion of cyclical dialectics resonates with the endurance of these artworks and their formal and conceptual qualities, as well as the artists’ personal histories, artistic practices, and social commitments.

In the second recording, Craig Berggold and Susan Stewart address the social and cultural climate in which their respective projects A Time to Change (1984) and Drawing the Line (1990) were made. They discuss their mutual interest in engaging visual culture towards social change, and the urgent need to make marginalized experiences visible that motivated each of their works. They also reflect on their projects’ reception within artistic discourse and discuss their precarious visibility within contemporary art.

Thought, outside: Laiwan and Melinda Mollineaux in conversation with Amy Kazymerchyk (2020).

Thought, outside: Craig Berggold and Susan Stewart in conversation with Amy Kazymerchyk (2020).

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artist-run centre in Vancouver.

We acknowledge the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and səl̓ílwətaʔɬ (Tsleil-Waututh) Nations as traditional owners of the land upon which Western Front stands.