Archives Access: Pascal, One Night Only

Feb 27, 2024
Field:

Screening, Talk

Location:

Grand Luxe Hall, Western Front

Time:

7:30 p.m.

Description:

Archives Access: Pascal, One Night Only, was a lecture and screening focused on the life and work of trans performer Pascal.

Pascal was a classically trained singer known for her gender non-conforming “showgirl” persona. In the early 1970s, she appeared as a key contributor to projects by the Toronto-based collective General Idea, leading her to collaborate with Western Front’s core members and other artists associated with the “Eternal Network.”

On February 27, 1974, Pascal performed a vocal recital of jazz standards in the Grand Luxe Hall with accompaniment by Hank Bull on piano. While audio, video, and textual records document a limited period of Pascal’s artistic career, not much is known about the performer following this concert. In scholarship, Pascal is mentioned merely as an aside—a peripheral figure within the narrative of Canadian queer art history.

Presented on the fiftieth anniversary of Pascal’s last performance at Western Front, this iteration of Archives Access featured a lecture by Michael Dang interspersed with archival excerpts of Pascal; shining a spotlight on an enigmatic queer artist who had a brief but impactful sojourn in the Canadian contemporary art world.

Pre-show materials included a slideshow of images courtesy of the Morris and Helen Belkin Art Gallery, AA Bronson, and Glenn Lewis, alongside audio from Pascal’s 1974 concert in the Grand Luxe Hall. 

Dang’s lecture was organized into three sections, each providing an introduction to Pascal through research into the socio-political context of Toronto in the 1960s and 1970s, key performances including Art’s Birthday and the Hollywood Decca Dance (1974), and first-hand accounts of the performer through interviews with former collaborators. To close the evening, Dang invited Hank Bull to the podium to reflect on his relationship with Pascal as a friend and musical partner.  

Screening materials included excerpts from Art’s Stars Interviews (1974) by Chip Lord, Willoughby Sharp, and Megan Williams; The Decca Dance (1974) by Kerry Colonna; and excerpts from Pascal and Hank Bull’s 1974 concert. 

Curated by Michael Dang. 

Video documentation is available upon request. 
Kiel Torres holds a cordless mic in her right hand and speaking notes in her left.
She wears a beige sweater and black wool pleated skirt.
Michael Dang stands behind a lectern in the Grand Luxe Hall. He gestures with his hands while speaking to the audience. A black-and-white photograph of an androgynous person in a low cut party dress and showgirl feather headdress is projected on the screen next to him. The photo caption reads: Pascal at the Miss General Idea Pageant 1971, 1971 Courtesy of AA Bronson/General Idea.
Michael Dang stands behind a lectern in the Grand Luxe Hall. A black-and-white photograph of Pascal in a low cut party dress and showgirl feather headdress is projected on the screen next to him. The photo caption reads: Pascal at the Miss General Idea Pageant 1971, 1971 Courtesy of AA Bronson/General Idea. The room is quite full, and the audience is seen seated from behind.
Michael Dang speaks into a microphone positioned behind a wood lectern. He wears a black chore coat and red pants. A glass of water and speaking notes are positioned on the surface of the lectern.
A black-and-white archival video is projected on a screen in the Grand Luxe Hall. The still shows Pascal with her eyes cast down. The space is full of seated audience, who can be seen from behind.
Michael Dang stands at a lectern on the stage of the Grand Luxe Hall and is illuminated by a spotlight. An archival photo is projected on the screen next to him that shows John Dowd in a leather jacket and pants, a black t-shirt that said FETISH, and a shark fin bathing cap. In the background, Pascal performs in a pink robe. She is surrounded by several male dancers, also wearing shark fin hats. The accompanying caption reads: Pascal, John Dowd etc., performing at the Decca Dance, 1974, Morris/Trasov archive at the Morris & Helen Belkin Art Gallery, followed by the image accession number.
Michael Dang stands at a lectern on the stage of the Grand Luxe Hall and is illuminated by a spotlight. An archival photo is projected on the screen next to him that shows John Dowd in a leather jacket and pants, a black t-shirt that said FETISH, and a shark fin bathing cap. In the background, Pascal performs in a pink robe. She is surrounded by several male dancers, also wearing shark fin hats. The accompanying caption reads: Pascal, John Dowd etc., performing at the Decca Dance, 1974, Morris/Trasov archive at the Morris & Helen Belkin Art Gallery, followed by the image accession number.
Hank Bull stands at a lectern in the Grand Luxe Hall. He wears black framed glasses, and a suit jacket over a plaid vest, white dress shirt, and striped tie. An archival magazine scan is projected on the screen next to him. The image shows Pascal with a monk haircut, and is accompanied by a caption that cites the source of the image as being from 1973, courtesy of the Morris/Trasov archive at the Morris & Helen Belkin Art Gallery.

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